As a teenager, I found a guitar at Bill’s Pawn Shop in El Dorado, Arkansas. I strummed a few chords while in high school and figured out the introduction to Fire and Rain by James Taylor. Drumming became my focus, so guitar fell by the wayside.
Years later, while teaching elementary music, I picked up the guitar again and strummed some chords while the kids sang, but never got out of the first position on the fretboard.
While looking at the neck of his guitar, John Prine said, “Most of this is virgin territory.” I could relate. It seems appropriate that another definition for the word fret is “to cause or suffer emotional strain” because the frets of a guitar can be intimidating.
When I retired from education, I decided it was time to grab my 1991 Yamaha guitar and try again. I found a great teacher, Randy Soller in Fayetteville, and we do distance lessons using Skype and Facetime. His degree was music and guitar, so he’s helping me explore all that virgin territory up the guitar’s neck while relating it to what I know about music and past keyboard percussion experience. Frets continue to be a challenging precess, but I’m encouraged with progress, and the fun increases as skills grow.
Watching my Pledger Guitar take shape has been fascinating, but nothing excited me quite like seeing the fretboard construction, knowing I’ll spend the rest of my life exploring that challenging landscape. When I pass this instrument down to a grandson someday, he or another family member can take on the fretboard challenge.
Mother set the example as a lifelong learner. I think she’d be pleased to see her gift motivating me to continue my musical learning.
In February, with frets firmly installed, Clayton Pledger tuned the guitar and let it “settle in” for a while as he checked the function and tone of the instrument. He sent the following photos showing the instrument essentially complete and almost ready to ship to Arkansas.
This is the fourth post about this instrument. Earlier posts can be found at the following links.