Mother’s Guitar: A work in progress

Clayton Pledger, Luthier, sent several photos of the continuing work on the guitar that is a gift from my mother, Elsie Warnock. I tell how this little project came about in my previous post, Mother’s Guitar on the Builder’s Bench

Mother made journal entries from time to time. I noticed one entry that mentioned my interest in music generated many gift ideas when I was a teenager. Back then, it was all about drums. One time she selected drum sticks for me only to learn that they were neither balanced nor straight. The sweet owner of the music store, Rebecca Roberson, let me return the sticks and make another selection. Mrs. Roberson enjoyed watching me roll drumsticks across the glass display case until several straight sticks were collected. Then I dropped them lightly on the concrete floor until two rang with the same pitch indicating they were close to matching weight.

I did this stick selecting ritual until my senior year in high school when my percussion teacher, Gary D. Cook, told me about Vic Firth sticks that came from the factory straight and balanced. I’m still using Vic Firth sticks today.

After Mother’s experience picking out my drumsticks, she gave me gift cards for anything musical. I think she would enjoy knowing that an instrument is being created by hand as a keepsake of her memory.

Using a laser to align the neck connection structure.
Guitar neck in early stages.
Some neck shaping and the ebony fretboard in place.
Continued shaping of the neck and headstock
Headstock and fretboard in process.
Slotted headstock taking shape.

This photo gives hints at the future beauty of this instrument. The emphasis is on sound, but this guitar will also be a work of art that would make Mother proud.

Below is a short video from Clayton Pledger’s website.

The story continues at the following posts:

3. Mother’s Guitar: Calling Our Best Self

4. Mother’s Guitar: The Fretboard, a Lifetime Project