Mother’s Guitar: Calling Our Best Self

After six coats of finish

Watching this guitar take form has given me a new appreciation for those who dedicate themselves to a craft. Looking at recent photos sent by luthier Clayton Pledger, I thought of something poet Amanda Gorman said in a recent interview. “Poetry and art means showing up with your best self, whoever that might be, and that in itself is beautiful.” 

Those who create art in any form do their best work when their “best self” shows up. I’ve had the experience of my “best self” playing percussion and, on occasion, my “not-so-good self.” Whoever shows up is evident in the performance or product. A benefit of making music, or art in any form, is learning to call on your best self when needed.

My mother gave her best self to her family and teaching. Reading her journals, I realized she felt inadequate as a teacher. This surprised me because many have commented how much she meant to them as a teacher. Her peers said she was the go-to person if something needed to get done. At my last high school reunion, a friend who is now a doctor and leader in his community told me her class made medical school a possibility for him because she helped him increase his reading speed and comprehension.

Mother’s journal taught me a lesson. I think maybe part of bringing our “best self” to any task is the courage to continue doing a hard thing in spite of inner doubts. I need to remember this when I get frustrated trying to learn something new on guitar.

Clayton did multiple coats of finish on the back, sides, and neck recently. He’ll be spraying coats of finish onto the spruce top, then doing the final sanding and polishing later in the week.

Sanding to level off the finish on back

After the finish on the back is leveled, he’ll spray two more wet coats, level that off with 1500 grit wet sandpaper, then polish it under a buffing wheel. As beautiful as these photos are, the finish isn’t complete.

I knew there were many steps in building an instrument, but following the process gives me a better understanding of the skill and work involved. Clayton said, “It’s always exciting getting the finish done, but once it is, there’s still a lot to do!” I thanked him for putting his “best self” into the work of making this special instrument. Seeing it take form is exciting, and I look forward to playing this musical symbol of the gifts Mother shared during her life.

Still much work to be done

Previous posts #2: Mother’s Guitar: A Work in Progress

Previous post #1: Mother’s Guitar on the Builder’s Bench

Next post in the story #4: 4. Mother’s Guitar: The Fretboard, a Lifetime Project

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